Tripods for Steady Shots
Use a tripod to get a steady shot, particularly if you're shooting something that is not moving or a formal interview.
If you don't have a tripod or you're doing a shot where you'll have to move quickly, then find something to steady your camera - i.e. lean against a tree, put the camera on top of a trashcan, etc.
If you must shoot without a tripod or other support, shoot a wider angle shot. The wider the focal length, the steadier the shot.
Framing and Composing Your Shots
Be aware of composition in your shots and how you frame your shots, particularly with interviews.
For example, avoid a shot of a person with a plant or pole in back of them. It will look like the plant or pole is growing out of the back of the person's head.
When shooting interviews pay attention to your surroundings and don't be reticent or shy about rearranging furniture, moving things on a desk, pushing plants out of the frame of your shot,. etc. to improve the setting, or asking the subject of your shoot to change positions so you properly frame the shot.
And if you're having technical problems, don't be afraid to take charge and stop the interview until you can properly set up the shot.
Shut Up When You Shoot
When you press the record button, shut up already!
Keep in mind that when the camera is rolling it picks up all the ambient sound, not just what you're focusing on. And you won't be able to separate the unwanted audio out in the editing process.
Don't talk while the camera is rolling, either to yourself or with other members of your team, and no humming.
This is especially important when you're shooting B-roll like natural sound, such as the noise of a busy street or a nature scene, where the sound is critical to the shot.
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